ART MATTER FESTIVAL 2026
OTHER WORLDS ARE POSSIBLE MYRO WULFF 29.05-19.07.2026
Wild horses Gallery is proud to be a part of the Art Matter Festival 2026 Program with a solo exhibition by Myro Wulff, Other Worlds are Possible, curated by Josephine Fity.
Join us for the opening Friday 29th of May between 17-20
Myro Wulff’s first solo show, Other Worlds are Possible, invites viewers into a shifting field of encounters where bodies, materials, and light co-produce images that resist fixed meaning.
Working across darkroom printing, luminograms, and large-scale abstract portraiture, Myro Wulff expands photography beyond representation into a site of relation. Images of love, intimacy and connection unfold alongside photograms and abstractions, tracing moments of closeness, vulnerability, and play. Here, the photographic process is not controlled but shared, between artist, sitter, apparatus, and matter itself.
Myro Wulff’s practice embraces uncertainty as a generative force. Through technical interruption and material experimentation, his works hold traces of exchanges: fluid, tactile, and unresolved.
The exhibition becomes a space where connection is both subject and method.
The exhibition becomes a space where connection is both subject and method.
Myro Wulff (b. 1985) is a German artist. His work plays with encounters between bodies, materials, and matter. The photographic image becomes less a representation and more a site of multiple agencies, influencing one another. Inviting viewers to ask questions on Intimacy and connection.
Myro Wulff studied Fine Art at the Royal College of Art London. He has lived and worked in London and New York for many years and has now established himself in Copenhagen,with his works previously featured at Saatchi Gallery and winning the 2021 Travers Smith CSR Art Prize.
CURATOR: JOSEPHINE FITY
Josephine Fity is an art historian, independent curator, and artist consultant with more than 20 years of experience in the field of contemporary art. She has worked across major institutions including the National Gallery of Denmark (SMK), Overgaden Institute of Contemporary Art, and V1 Gallery in Copenhagen, where she served as Director for over a decade. Working freelance since 2025, she advises artists and collectors with a focus on
fundraising, writing, and strategic guidance, coordinates exhibitions, and develops curatorial projects in exciting and unexpected spaces outside art institutions in venues such as fx. an abandoned hair dresser salon.
Having contributed to more than 200 exhibitions, fairs, and events, her practice is driven by curiosity and a strong commitment to highlighting the role of art in public discourse.
fundraising, writing, and strategic guidance, coordinates exhibitions, and develops curatorial projects in exciting and unexpected spaces outside art institutions in venues such as fx. an abandoned hair dresser salon.
Having contributed to more than 200 exhibitions, fairs, and events, her practice is driven by curiosity and a strong commitment to highlighting the role of art in public discourse.
“My concept is to rethink the art space as a more fluid entity — one that allows for a different approach to commercial exhibitions and collaborations. It’s a model that adapts to the artist’s project or creates a synergy between artworks and spaces, with a stronger emphasis on the curatorial vision. The aim is to offer people both art historical insight and access to unique or everyday environments, while broadening the conversation around art’s potential and voice in society.”